Category Archives: Marcel Mauss

The Title of the Gift

Following his critique of Lévi-Strauss’s analysis of Marcel Mauss’s The Gift, Jacques Derrida, in Given Time (pp. 78-81), goes on to detail a further structuralist response to Mauss’s account of gift and exchange rituals in archaic societies. That of Émile … Continue reading

Posted in Art as Gift, Benveniste, Chapter 3 Posts, Counterfeit Money, Derrida, Gift, Given Time, Levi-Strauss, Marcel Mauss, Structuralism, Title | 1 Comment

Hau: a structuralist critique

Claude Lévi-Strauss, in his Introduction to the Work of Marcel Mauss (1950), critiques Mauss’s notion of hau. This is the mysterious force in the gift, given in the property-exchange rituals of archaic societies, which demands its return at a later … Continue reading

Posted in Art as Gift, Chapter 3 Posts, Gift, Given Time, Hau, Levi-Strauss, Marcel Mauss, Structuralism | 3 Comments

Hau: the Aura of the Gift

In his 1925 essay The Gift, Marcel Mauss addresses the nature of the gifts exchanged in rituals such as the potlatch. Asking “what force is there in the given thing that causes its recipient to pay it back?” (GT, 41) Mauss … Continue reading

Posted in Chapter 3 Posts, Gift, Given Time, Hau, Marcel Mauss, Potlatch | 2 Comments

Art as Gift 2 – Feb 23

The second meeting of “Art as Gift” discussed themes that emerged from our reading of chapter two of Jacques Derrida’s Given Time: “The Madness of Economic Reason: A Gift without Present.” This focuses on the anthropologist Marcel Mauss’s 1925 essay The … Continue reading

Posted in Art as Gift, Chapter 2 Posts, Delay, Derrida, Differance, Gift, Marcel Mauss, Potlatch, Situationists | Leave a comment

The Delay of the Gift

From Reception to Restitution In his 1925 essay The Gift, Marcel Mauss seeks to explain the exchange economies of archaic societies in terms of gifts given and gifts returned. Mauss approaches this through a study of the potlatch, a property-giving ritual … Continue reading

Posted in Art as Gift, Chapter 2 Posts, Derrida, Differance, Marcel Mauss, Potlatch | 2 Comments

The Potlatch a War of Property

potlatch The Potlatch A gift-giving feast practiced by indigenous peoples of the Pacific Northwest Coast of Canada and the United States, among whom it is traditionally the primary economic system. (Wikipedia) Marcel Mauss’s description of the potlatch: “madly extravagant …Everything … Continue reading

Posted in Art as Gift, Chapter 2 Posts, Derrida, Marcel Mauss, Potlatch | 6 Comments

The Madness of the Gift

Unreasoned absurdity Derrida says that the aporia that Given Time deals with, i.e. the “impossibility” of the gift, which to be a gift must not be recognised as such, is by necessity ordered on madness. Because of this there is … Continue reading

Posted in Art as Gift, Chapter 2 Posts, Derrida, Marcel Mauss, Potlatch | 1 Comment

The Politics of the Gift

Marcel Mauss’s Moral Conclusions Marcel Mauss in The Gift proposes that the principle of the gift, because it is the foundation of the economies of archaic societies, must be both natural and universal and therefore it must underpin all our … Continue reading

Posted in Art as Gift, Chapter 2 Posts, Derrida, Gift, Marcel Mauss, Potlatch | 2 Comments

Intro to Art as Gift

The following is a transcript of the Introduction to Derek Hampson’s talk on Jacques Derrida’s Given Time, for the Art & Theory Reading Group’s first meeting on the Art as Gift research theme, January 26th, 2017. Art as Gift is a … Continue reading

Posted in Art as Gift, Chapter 1 Posts, Derrida, Gift, Heidegger, Marcel Mauss | 1 Comment

Art as Gift Project

Starting 26th January 2017, the Art & Theory Reading Group met once a month for four months, at Wollaton Street Studios, to discuss Jacques Derrida’s Given Time: 1. Counterfeit Money. Examining the implications for artistic practice of its ostensible theme … Continue reading

Posted in Art as Gift, Counterfeit Money, Derrida, Differance, Gift, Given Time, Heidegger, Marcel Mauss, Potlatch, Situationists, Structuralism | 1 Comment