This post is part of the Art as Gift Project
Derrida (128) discusses the unity of fortune and nature, “fortune is nature” (126), expressed as the luck of the draw and what gives generously at birth, to the nascent being. Saying the alliance between these two dominates the narrator’s discourse in Counterfeit Money.
The primary concept of nature that Derrida calls upon is phusis [from which we get the word physic, as in physics and metaphysics etc]. Saying that nature can be either the great, generous and genial donor, which everything, law, art etc, comes back to. On the other hand nature can be the “order of natural necessities,” laws of nature in opposition to law, art etc. Here nature’s relationship to the gift is as what is given.
Similarly the concept of production can be opposed to the natural and to the gift. What is produced is not given and producing seems to exclude donation. Yet, Derrida asks, is not the “pheuin of phusis” i.e. what nature gives, the “donation of what gives birth, the originary productivity…that brings to light and flowering.” “Is it not what gives form and, by bringing things into the phenomenality of the light, unveils or develops the truth of that which it gives.”
Here we have a donating production in which fortune and necessity [the event and the machine?] are allied. It is worth noting that production translates the Greek poesis which means both to make but also has a relation to bringing forth of the beautiful, the poetic.
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